Writing Memorable Settings: Turning Space into Place, Act 3

When I talked to Cynthia Voigt about the ideas of place attachment and our psychological connection to place, she said she uses maps to orient herself within a story because she doesn’t like to feel “geographically dislocated” as she writes. When we discussed A Solitary Blue she said, “I think of Solitary Blue as a […]

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Writing Memorable Settings: Turning Space into Place, Act 2: A Solitary Blue

Dicey and her siblings were searching for home, but Jeff, the main character in A Solitary Blue, is not. This book is about the shadow side of place. Jeff lives in Baltimore with his father, the Professor, after his mother abandons them when Jeff is 7. Voigt only describes the home in Baltimore once, after […]

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Writing Memorable Settings: Turning Space into Place, Act 2: Homecoming

To explore these ideas of positive and negative place attachment, I chose to focus on middle grade settings, and home in particular. However, these concepts do apply across genres and across ages. Why middle grade? Between our childhood and teenage years, we begin to see the world through new eyes. We observe carefully, we make […]

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Writing Memorable Settings: Turning Space into Place, Act 1

Take a look at the room you’re in. If I asked you to write a story set there, which details would you use? The color of the walls? The way the light comes in through the windows? Maybe something about the chairs. With those details you could sketch out a pretty good picture of the […]

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Structure vs Polish

Years before I sat down in my first writing class, I took a lot of painting studios in college. At some point, I noticed a pattern to my work: I’d start with charcoal, sketching my subject on the canvas, and by the time I worked my way from the head down to the legs, there […]

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Heart-writing. A technique for bringing your heart to the page.

The past months of writing have been a journey into deep emotions for me, and I’ve found myself reflecting on a technique for engaging in deep thought and connecting those deep feelings to my writing. “Heart writing is my name for a specific type of side writing. It’s the practice of creating a meditative space […]

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Sharing some craft thoughts

I wrote a couple of posts for the SCBWI Carolinas’ Blog and wanted to share them in one place: Emotional Resonance was the holy grail of my MFA experience. I captured a few thoughts in this post (it was *hard* to keep it to under 1000 words! so much to say about this topic!) If […]

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Changing my story.

Sixteen months ago, I started writing something that would change my story, but I didn’t know it at the time. The pandemic had already changed everything. My oldest college-aged kid was back home, my high schooler was at home, and so was I. This was not the plan. I needed something to distract me from […]

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Writing Historical Fiction (or, how I learned to love constraints and inconvenient facts)

I swore I’d never, ever write historical fiction. Don’t get me wrong, I love reading it, but do you realize how much work those writers have to do? Like all good stories, I set off on one journey not knowing I’d end up a changed person at the end of the trail. My grandmother left […]

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What the Author Isn’t Saying

As readers, we’re drawn though a book because we care about the character, or we want to know what happens. But for a book that is a meditation on grief, something else has to pull us through this dark and potentially boggy place. In We Are Okay, Nina LaCour offers a handful of narrative threads […]

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